EUCALYPSCHITZ
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TAKING THE PLUNGE

9/4/2025

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Recently I hung up some framed prints at a local art gallery for a 2 month long residency and couldn’t help but to look around at all the incredible original artwork for sale and compare my pieces which left a sinking feeling I can only describe as imposter syndrome. That night, I decided that I could no longer sell my prints primarily if I wanted to make a living as an artist, let alone being taken seriously doing so. 

The reason I took so heavily to 2D art in the first place was due to the ease of reproduction, making it so I could share my work while being able to keep the original - a feature important to me as my art contains sentimental value much higher than any price tag could reach. However, this leaves a fairly strict cap on how much I could realistically make and how much wall space both my apartment and my parents’ house had available to house each 1st edition.

​For the next 4 days in a bit of a frazzled state, I created 3 new upcycled assemblage pieces in addition to updating 3 more, special for the residency at RemainReal Fine Art gallery. I’d like to dedicate this feat to procrastination fueled pressure and L-Theanine for balancing out the stress associated. 
Seeing them all up in context with the other Artists in residency really restored my faith and confidence in my abilities. Not only was I proud of what I had created in such a short amount of time, but I think I might’ve found a new medium to dive head first into!

See them here under the UPCYCLED ASSEMBLAGE category!
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WHERE DO I SOURCE MY MATERIALS??

4/24/2025

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I get asked this question a lot & typically, I reply with "everywhere” since I use a variety of mediums, envisioning the potential in just about anything. As a collage artist of 8 years now, I've been developing my style with inspiration from my surroundings, various art movements/artists, material accessibility and love of maximalism. ​For the background of my 2D pieces, I like to use patterned scrapbook paper & thrifted pour paintings to set the scene before layering with cut out elements & embellishments (trim, glitter, stickers, etc.) I find that add to the artistic vision. For my 3D/assemblage work, I incorporate trash & found objects (plastic 6-pack beer holders, Trader Joe's Green Tea mint tins, broken ornaments, etc.) in an effort to upcycle. 

The majority of the materials I end up using are magazines sourced from Facebook Marketplace, friends/family, the local Art Thrift Store - Recreative Denver, & regular thrift stores including the Goodwill Outlet (Bins). However, if you live remotely & find used materials difficult to source, you can buy new magazines as well as curated collage starter packs online. I typically collage on canvas or thick paper/cardboard, using exacto knives/scissors & glue sticks/hot glue to assemble each piece. Do you have graphic books, magazines or art you want to get rid of?? Send them to me to repurpose!
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COLLAGE WORKSHOPS

4/7/2025

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Starting with the 24-hour zine challenge at SUNY New Paltz, I began hosting workshops for people to create with paper together. It wasn't until a few years after I had graduated college that I started teaching collage workshops for the broader community. The very first ones I organized, back in 2019 were at a coffee shop named Cafeteria in downtown New Paltz, NY and were accompanied by open mics nights. Once that staple of the community changed ownership & eventually closed with the outbreak of COVID19, I took a break from group creating until 2022 when I started hosting them at the local library for friends.

I quickly emersed myself in the active collage community upon moving to the Denver Metro area of Colorado in 2023. Soon after, I resumed hosting workshops at the coffee shop I worked at in addition to attending others. Recently, a local grassroots art organization called Artists.in.sync contacted me to become their regular collage workshop teacher! While marketing a a wide variety of artistic events throughout the city, the collage nights just so happen to be their biggest events each month.

Starting out, my collage events were fairly simple as I would bring all of the necessary supplies & let people loose to create what their hearts desired. After a few big events, I discovered that it would be easier for people creating to use materials that were pre-cut & organized by categories as opposed to wasting time flipping through magazines for half of the time they had paid for. Plus, there was less trash to clean up at the end of the night. Once this new method received great feedback, I realized that I could curate my events more. It wasn't until I did a collaborative workshop with the organizer of a collage club in Mexico City that I developed inspiration for specific themed-events. 

Raquel brought what are called "monografias" which are pictorial sheets for elementary school kids to learn with that are frequently used as collage material as they are discontinued as educational material. For a warm up, she had everyone participate in a group activity making collage-style "exquisite corpses". Having a direction or central theme to point people towards was helpful to those who have never collaged before and provided a sense of comradery that inspired me to curate at my future events.

Since then, I have come up with a few directions for my classes  & implemented some with great success. For my first themed activity, I curated kits to pick from & called it a "choose your own adventure" theme. This was by far my most successful event yet with over 40 people in attendance! The next one, dedicated to my time as a zinester, providing everyone with blank zine formats to create on - encouraging them to reproduce & self publish their final pieces. Future ideas include assemblage over thrifted Knick-knacks or discarded artworks and making hexaflexagons. I am open to suggestions & would love to hear your feedback if you have been in attendance!
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THREADLESS FOOD DESIGN CONTEST

4/3/2025

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Part of my creative goals include getting my work out there for many people to see & enjoy. In addition to my website & social media platforms, I’ve been creating profiles on a variety of art.

Threadless is a selling platform for artists which also features competitions with monetary prizes for the top 3 pieces voted on the most. I recently applied to the Food Design themed challenge as I have many collages made from food magazines.

You can help me win by voting & commenting on my art here! The scale goes from 1-5 with the higher numbers representing a greater appeal for the piece. The competition ends on the 10th of April & any support is much appreciated!
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THE FIRST FEW COLLAGES I MADE

3/30/2025

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In junior year of college after being inspired by the first zine I encountered, I worked as the Zine Library Intern & ran it's club at the Sojourner Truth Library on campus. Utilizing my new hobby for a project in my queer theory course, I created zines to summarize a couple of our readings on "Capitalism & Gay Identity" and "QUARE - a queer of color critique". Thinking I was going to continue along this textured & patterned version of the self-published booklets, I named my Instagram handle "threedeezeens" which stuck around longer than my zine-making had. 

What I realized over the year as a member in this community was that I really liked the collage aspect I was bringing to these creations more than the hand-held 8 page boundaries in which I was creating them. Right around the time my Bachelor's of Arts thesis proposal was nearing, I abandoned the idea of the zine as a vessel for my art & fully embraced larger, less informative, individualized pieces. 

I worked for hours on end in the living room of my dingy apartment creating original collages, an art book (full of more collages), a stand for the zines I had made & an outfit to wear for the Senior Thesis show. The cover for my first art book was a collaged self-portrait expressing my discomfort as an individual within the structure of our global society - now the face of my artistic identity - Eucalypschitz.


Since moving out of New York & finding myself in the art city of my dreams, I set out on a mission to rebrand myself as an artist including an orientation towards maximalism for both 2D/3D pieces while utilizing more upcycled elements & the publishing of my website - complete with the ability to sell my work online. Some of my future ideas for the incorporation of new mediums include stained glass, embossed textures, paper mache/upcycled frames & utilizing relief printing techniques.
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HOW I CHOSE THE NAME EUCALYPSCHITZ

3/27/2025

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It started in my Junior year of art school with my suitemates & I calling each other by popular women’s names from the late 19th/early 20th century. Mine was "Eunice", (meaning “good victory” in Greek) which quickly developed into my artist alter-ego and then my primary identity after I debuted the character at my Senior Thesis show.

Delving into herbalism as a DIY practice, I discovered the energy of the Eucalyptus plant which shares a Greek etymology. This aromatic tree reminds us to be confident with our inner power when faced with challenges and that while taking off our armor may be risky, an important part of growth is exercising vulnerability. Be careful to not fire them up however - they might explode!

In a world dominated by masculine energy, I’ve struggled since a young age to feel my power and often find myself relating to Medusa’s desire for vengeance. With my choreographed performance of the “Cell Block Tango” as the character Lipschitz and participation in Rocky Horror Picture Show as a time-warper my first year of college, I was able to start the process of reclaiming my sexuality. 

Combining these three themes, I developed a muse around the concept of a Dark Horse, trampling over the forces that have robbed me of my power. It was a collage I bought at the Feminist Zine fest that sparked my interest in the medium & ignited my curiosity on the dichotomy of the Madonna/Whore archetypes. The print read “Always Too Much, Never Enough” which perfectly captured the self image I was internalizing over the years. Embracing it all, I feel most at home creating with a maximalist style.
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